EXHIBITION DESIGNER at National Gallery of Victoria
Designed over 35 temporary exhibitions, including those below. For installation images of exhibitions please get in touch.
Salvador Dali: Liquid Desire
Attracting over 332,000 visitors, the first comprehensive Salvador Dalí retrospective staged in Australia as part of NGV's Melbourne Winter Masterpieces series included more than 200 works of painting, drawing, watercolour, etchings, sculpture, fashion, jewellery, cinema and photography. The Dalí Kids space delighted nearly 14,000 youngsters during the course of the exhibition.
Design
Communication
3D scale models, technical drawings, plans, elevations, and digital 3D CAD models (including fly through animations), were used to share design intentions with curators, international lenders, conservation staff, security and others working at the NGV.
Curators: Dr. Ted Gott, Laurie Benson & Sophie Matthiesson.
Exhibition Designers: Johanna B Kelly & Daryl West-Moore
Photo credits: National Gallery of Victoria & Johanna B Kelly.
For more on this exhibition visit NGV.
Ballet & Fashion
A joint project between The Australian Ballet and the NGV, Ballet & Fashion showcased collaborations between couture fashion designers and international dance companies over the past three decades. Opening The Australian Ballet’s 50th birthday week, this exhibition design was inspired by Robert Wilson who'd created some of the sets for the original ballet performances.
Harrell Fletcher
The sound we make together (Melbourne)
For this exhibition at Federation Square, Harrell Fletcher found local participants to select NGV collection works they then displayed alongside works they'd specifically created for the NGV alongside photographs of them collaborating with Fletcher. Focusing on sustainable materials to enhance community quality of life, this exhibition design was made of 100% recyclable materials for the first time in NGV history.
BLACK IN FASHION
FROM MOURNING TO NIGHT
This fashion and textiles exhibition explored the symbolism and enduring use of black in Australian and international fashion. The garments and portraits exhibited ranged from seventeenth to twentieth centuries, representing contradictions of death, power, elegance, urbanity, subversion and sex appeal through fashion and painting. The exhibition design employed lace imprints as glass decals on cases.